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Queen Nehelenia’s only got six episodes left to cover the world in darkness, so it’s high time she stop relying on lackeys and take matters into her own scary clawed hands. Surely not even the great Sherlock Holmes could solve this head-scratcher. The Moonies arrive and take on the Quartet, who work better together than you’d expect, but a Lemures with a food baby combined with an assist from (and mockery of) The Tux allow our heroes to gain the upper hand and force the Quartet to retreat.Īnd HOW WEIRD, our four self-proclaimed circus friends are all gone too, ISN’T THAT SO WEIRD YOU GUYS. The Quartet think children’s dreams are the best ones, but Sailor Moon has shown us plenty of adult dreams that are just as “beautiful,” if not more so. I’ll be curious to see how this conflict plays out between our two sides in the coming weeks. There’s also an interesting idea here that children and “good adult” dreams are fundamentally different due to the expansion of one’s world and the responsibilities (both practical and emotional) that so often entails. It’s not that kids can’t be altruistic or empathetic, but that they tend to be short-sighted about it, focusing on the people or events directly in front of them rather than any abstract or long-term benefits. Sailor Moon paints a somewhat idealized version of adulthood and a rather negative one of childhood here, but I think the central point about the difference between immaturity and maturity is a valid one. “Work” of any kind means listening to others, and the Quartet can’t see any value in that. But the Quartet don’t get it, because all they can see is the lack of freedom that comes with these wishes.